

Reetu Sattar
Reetu Sattar—SMUS RBA scholarship holder May '26 - April '27—is a performance-based artist and filmmaker based in Dhaka, Bangladesh. Her artistic practice is guided by somatic intelligence while reflecting on human perception and imperceptible nature, colonial historiography, environmental refugees and the unequal grounds of labour cycles from Bangladesh.
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She creates durational and intermedia assemblages combining performance, text, installation, photography and filmmaking that revise conventions of theatre. Born in Dhaka, Reetu works and lives in Dhaka. Reetu is trained in experimental theatre and film from The Royal Danish Theatre, Copenhagen. She holds a postgraduate degree in Visual Arts from Jan Van Eyck Academy, the Netherlands. Her recent exhibitions include Sharjah Art Biennial, Serendipity Arts Festival, Istanbul Biennial, British Textile Biennial, International Film Festival Rotterdam, Liverpool Biennial, and Dhaka Art Summit. Her performances have been staged internationally at venues in London, Tokyo, Copenhagen, Birmingham, Bangkok, Kolkata and Goa. Reetu’s first film premiered at the International Film Festival Rotterdam in 2019, and the second film, Shabnam, premiered at IFFR in 2023. Reetu Sattar is a member of Britto Arts Trust, and Dhaka-based theatre group Prachyanat has been an important part of her practice.
About the project
In a forest, five rivers overflow their banks into canals and estuaries. Both humans and trees lose land beneath their feet. The more-than-humans consistently change routes as unknown large shadows keep taking over their usual routes.
In archive of ruins, Reetu Sattar looks into the sounds around a forest divided by borders, controlled by upstream barrages, and sustained by more than 35 mangrove species, along with mammals, reptiles, birds, fish, dolphins, and humans. Reetu seeks to understand land through its lost or silenced knowledges. How do humans and more-than-humans carry memory in their bodies, and how do soil, water, and plants retain stains and traces of violence?
On the coasts around the forest, the land and the lives have been tacitly reduced to evaporated and melted tactility of salt and water. Both human and more-than-humans overlap at a thick edge where impermanence seems like a culture. People float with the six-hourly high and low tides, the more-than-humans too. Upstream, large barrages on international rivers control the flow downstream, which results in high salinity and rising temperatures, loss of fish flow and arable lands. The sounds here are feral, abandoned and unnoticed, but parts of their lives are constantly changing tacitly.
The investigation identifies and collects losses retained in forgotten sounds of indigenous festivals, sounds by more-than-humans that are mute to human ears, and ties them to anthropomorphic myths and fables found around the region.